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七月微風(fēng)略過等了許久的煙青色午后茶香繞梁翻閱了文字的悠然稍微有點(diǎn)抬頭眉宇間，流了溫柔的長(zhǎng)發(fā)——賈峰云

七月的微風(fēng)等一個(gè)長(zhǎng)煙藍(lán)的午后茶香繞梁悠閑地讀字抬頭柔軟的長(zhǎng)發(fā)在眉間流淌——賈風(fēng)云

陽(yáng)光空間采用流線型設(shè)計(jì)語言，將法國(guó)長(zhǎng)起居空間做了方便的處理。長(zhǎng)陽(yáng)臺(tái)一分為二，保留了一個(gè)家政間之后，讓出空間劃到起居室的一偶，陽(yáng)光任性射入，透過龜竹幻化出溫柔的背符號(hào)，讓生活呈現(xiàn)出隨性的神色。

The space adopts streamlined design language,The long and narrow living space is treated flexibly.Changyang terrace is divided into two parts,After retaining a housekeeping room,Make room for a couple in the living room,Sunlight enters at will,Through the tortoise backed bamboo, a gentle symbol is created,Let life present a casual atmosphere.

午后置一條長(zhǎng)餐桌，介入起居室與廚房之間，原木的質(zhì)感呈現(xiàn)。對(duì)視而坐，泡兩個(gè)綠茶的玻璃杯，將手機(jī)丟開，打開紙質(zhì)的閱讀方式。安靜享受，這個(gè)七月的午后。

Set up a long table,Intervene between the living room and the kitchen,The texture of logs is presented.Sit facing each other,Make two glasses of green tea,Put the mobile phone away,Open the paper reading mode.Quiet enjoyment,This July afternoon.

隨心溫婉的弧線過渡了臥室與衣帽間，讓進(jìn)入夢(mèng)鄉(xiāng)的儀式，也充滿了詩(shī)意。低純度用色，致敬1962年喬治·莫蘭迪的那副風(fēng)景畫。行走的空間轉(zhuǎn)換，亦有移步換景的心情。風(fēng)景收入畫框，裝裱了生活。

The gentle arc transits the bedroom and the cloakroom,The ceremony of putting me to sleep,It is also full of poetry.Low purity color,Tribute to the 1962 landscape painting by George Morandi.Spatial conversion of walking,I also have the mood of changing scenery.Window frames are included in landscape paintings,Framed life.

安逸與世無爭(zhēng)的生活，消解了城市的紛擾，也讓生命趨向更加成熟的境界。讓裝修變成藝術(shù)的修行，借助建筑這張畫布，運(yùn)筆著色構(gòu)建出我們對(duì)生活的態(tài)度。傳遞屬于業(yè)主與設(shè)計(jì)師共有的居住美學(xué)。

A life without strife,Dispelled the disturbance of the city,It also makes life more mature.The practice of turning decoration into art,With the canvas of architecture,Brush coloring builds our attitude towards life.Convey the residential aesthetics shared by owners and designers.