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Time時間究竟是什么？是抽象概念還是真實存在？

在燈火搖曳的千燈湖畔，Time將自己脫離各式酒吧的包圍圈，從容置身于喧囂彼端，與他們隔水相望。

What exactly is Time? Is it abstract or real?By the Qiandeng Lake with flickering lights, Time separates itself from the circle of various bars, calmly staying in the other side of the bustle and watching them on the other bank.

▼外觀夜景，night view of exterior ? 吳鑒泉

▼千燈湖畔隔水相望，viewing. the bar from the Qiandeng Lake ? 吳鑒泉

對于設計來說，占據了如此超然舞臺的Time，如同一場尚未開演卻萬眾期待的戲劇。作為舞臺的策展者，讓它擁有最完美的開場，才能上演最精彩的劇情。神秘的故事往往發生在無人知曉的深夜，而不為人知的秘密總藏

在虛掩的門扉之中。以此為靈感，設計師將外立面做成了黑色拱門，磨砂表面增添了神秘幽深的質感并突出Time這個命名。黑暗之中門扉之下，好戲正在上演。

For ARCHIHOPE, Time, which has occupied such a detached stage, is like a drama that has not yet begun but is highly anticipated. For the curator of the stage, only if it has the most perfect opening can the most

wonderful drama be performed. Like mysterious stories often happen in silence at dead of night, secrets are always hidden in the doors that stand ajar. Inspired by this, the designers design a a black arch as the

facade with a frosted surface that gives a mysterious and deep texture and highlights the name Time. Behind the door in the dark, a good show is on.

▼外擺區，terrace area ? 吳鑒泉

吧臺用了釉質實木桌面和銅制金屬酒柜，這兩種材質的結合讓調酒區兼具實用和美感，顯得復古而摩登。回形的長桌既使室內向室外的延伸，又讓人流動線產生更多的交互，美酒讓拱形酒架猶如璀璨的藝術品，它兼顧了

實用與美觀，方便讓調酒師們更好地掌控全局。

The bar consists of a glazed solid wood table and a brass metal wine cabinet, and the combination of these two materials makes wine mixing area both practical and aesthetic, retro and modern. The long table in the

shape of homocentric squares not only extends the indoor to the outdoor, but also produces more interaction among the moving line of crowds. The arched wine shelve looks like a dazzling work of art with wine in it,

which is both practical and aesthetic and helps bartenders in control of overall situation.

▼吧臺概覽，preview of the bar ? 吳鑒泉

▼吧臺全景，panoramic view of the bar counter ? 吳鑒泉

▼吧臺用了釉質實木桌面和銅制金屬酒柜，

the bar consists of a glazed solid wood table and a brass metal wine cabinet ? 吳鑒泉

▼回形的長桌兼具實用和美感，

the bar is both practical and aesthetic ? 吳鑒泉

▼復古而摩登的情調，retro and modern ambiance ? 吳鑒泉

夕陽即將收斂起最后一抹余暉，如同緩緩褪去的金色幕布。它撫過由手工切割打磨的木板拼接成流暢弧形的座位，光滑的石質桌面搭配復古的黑白圖案，在落日下閃閃發光。開放的戶外卡座以紅、黑、綠三色形成明艷的

撞色，種植其中的繁茂綠植如同天然屏障，層層掩蓋住內部環境，也給鄰座間提供了一定的隱私保護。

The setting sun is about to collect its last light, just like a slowly fading golden curtain. The fading light caresses seats arranged in an arc which are made of hand-cut and polished splice boards, and the smooth stone

table surface with retro black-and-white patterns glitters in the sunset. The open outdoor booths form a bright contrast color with three colors of red, black and green. The lush green plants planted among them act as

a natural barrier to cover the internal environment layer by layer, and also to provide some privacy protection for neighboring booths.

▼由吧臺看紅色屏風，viewing the red screen from the bar ? 吳鑒泉

▼卡座以紅、黑、綠三色形成明艷的撞色，booth with red, black, green three colors to form bright collision color ? 吳鑒泉

▼燭臺定格英倫優雅情調，

the candlestick fixed frame of English elegant mood ? 吳鑒泉

在快節奏的社會里，相遇變成了一件匆忙的事情。想讓Time把“邂逅”由一個詞匯變成一個故事的開頭，就必須讓這個舞臺“慢”下來。客座區用了更多的木質家具，淺棕色材質如同技藝精湛的群演，那稍顯濃郁暗調的綠與

紅就是這部分空間里最出色的表演者，它們讓整個空間的氛圍往復古的風格進行了更深的渲染。裝飾畫及吊燈，燭臺則把風格定格在英倫優雅的頻道。

In a fast-paced society, the encounter has become a hurry. You must slow down the stage in hope to turn “encounter” from a word into the beginning of a story through time. There is more wooden furniture in the

guest area, and those made of light brown material is like skillful background actors, while those with slightly rich and dark green and red are the best performers in the space. Both of them make the atmosphere of

the whole space go further into the retro style. Decorative paintings, chandeliers and candelabra fix the space in elegant British style.

▼稍顯濃郁暗調的綠色色調，the dark green color theme ? 吳鑒泉

▼座位區與木格子墻，the seating area with the wooden lattice wall ? 吳鑒泉

再目不暇接的戲劇也有沉寂而溫情的時分，以優雅著稱的英倫風情，并不僅限于濃墨重彩，墨黑凈白也是一種表達。由兩位設計師主創的“舞臺”——Time威士忌吧，只把一面墻交予了朱海博。這面安靜的木格子墻，朱海

博戲稱，這是整個空間中他最喜歡的一面墻。因為墻上的攝影作品是他在人生最重要的轉折時期在異國他鄉學習期間遇到的人和事的故事記錄，如讓平時沉默寡言的海博來說這些故事的話，可能三天三夜都說不完。這些

過往的專屬劇情，現在也可分享給各色來客觀看，點綴在他人人生戲劇里的酒杯之中。

No matter how dazzling a drama is, there is also quiet and warm moments in it. Known for its elegance, the British style is not limited to rich colors, because black and white is another kind of expression. In Time

Whiskey Bar, the stage created by two designers from SIAD (Shenzhen Storybox Interior Architect design CO.,LTD.), only one wall is given to Hihope Zhu. Hihope Zhu joked that this quiet wooden lattice walll was his

favorite wall in the whole space because the photographs on the wall recorded the stories about what he had met during his study in a foreign country at the most important turning period in his life. It may take more

than three whole days and nights for Hihope Zhu, a usually taciturn man, to tell all these stories.

▼攝影師吳鑒泉，the photographer ? 吳鑒泉

▼空間細部，details ? 吳鑒泉

于是好友攝影師鑒泉便在現場導演了一出時空際會的好戲，完成了這一套值得珍藏的空間設計攝影集。戲劇落幕之時又仿佛時空回溯到故事開端，一襲青衫的絕塵少年坐在開往科莫湖的火車上，向著異國的奇遇，向著新

的邂逅，在歲月中不斷創造新的故事，這或許就是TIME時間這個概念真實的內在蘊意吧。

Therefore, a friend and photographer of his, Vincent Wu directed a good drama about meeting through time and space on site, and completed this set of space design photography collection which was worth keeping.

It ended with a scene that time seemed to return to the beginning of the story, when a young man in a green robe travelled far away in the train bound for Lake Como towards exotic adventures and new encounters,

and would constantly create new stories over the years. This may be the real inner implication of the concept TIME.

▼外觀日景，exterior of the bar at daytime ? 吳鑒泉